{"id":1363,"date":"2022-04-26T12:59:39","date_gmt":"2022-04-26T12:59:39","guid":{"rendered":"https:\/\/catforumroma.it\/?p=1363"},"modified":"2022-04-26T12:59:39","modified_gmt":"2022-04-26T12:59:39","slug":"serena-vandi-satura-varieta-per-verita-in-dante-e-gadda","status":"publish","type":"post","link":"https:\/\/catforumroma.it\/it\/serena-vandi-satura-varieta-per-verita-in-dante-e-gadda\/","title":{"rendered":"Serena Vandi, Satura. Variet\u00e0 per verit\u00e0 in Dante e Gadda"},"content":{"rendered":"<p><em>Satura<\/em>\u00a0di Serena Vandi \u00e8 il primo studio comparativo di ampio respiro su Dante e Gadda ad esaminare il rapporto tra i due autori al di l\u00e0 dell\u2019orizzonte del \u2018plurilinguismo\u2019 all\u2019interno del quale si era svolta la disamina di Gianfranco Contini. L\u2019autrice si interroga infatti sul problema del realismo dei due scrittori, individuando nella\u00a0<em>satura<\/em>\u00a0una categoria interpretativa attraverso cui le opere di Dante e Gadda vengono rilette a partire dagli elementi costitutivi del genere: la variet\u00e0 del contenuto e della forma e l\u2019obiettivo di svelare e rivelare la verit\u00e0 del reale attraverso la parola. Combinando l\u2019analisi retorico-stilistica comparata dei testi e un approccio teorico che indaga le poetiche dei due autori Serena Vandi identifica nel nesso di variet\u00e0 e verit\u00e0 proprio del genere satirico la missione della letteratura all\u2019interno di una prospettiva etica che fa della parola letteraria uno strumento di conoscenza.<\/p>\n<p><em>Serena Vandi \u00e8 Powys Roberts Research Fellow in European Literature al St Hugh\u2019s College dell\u2019Universit\u00e0 di Oxford dove insegna Dante e la letteratura italiana dell\u2019Ottocento e del Novecento e dove conduce il progetto \u201cGadda: Fascism, Satire and Truth\u201d. Formatasi all\u2019Universit\u00e0 di Bologna come allieva del Collegio Superiore, ha conseguito un dottorato in Italianistica presso l\u2019Universit\u00e0 di Leeds.\u00a0<\/em><\/p>\n<p>Dialogheranno con l\u2019autrice Paolo Rigo (Universit\u00e0 Roma Tre) e Cristina Savettieri (Universit\u00e0 di Pisa)<\/p>\n<p>Questo incontro \u00e8 parte della serie\u00a0<em>Le Tre Corone: testi e contesti dell\u2019Italia medievale<\/em>, co-sponsorizzata dal Notre Dame Rome Global Gateway, dal Center for Italian Studies e Devers Family Program in Dante Studies di Notre Dame, dall\u2019Universit\u00e0 Ca\u2019 Foscari Venezia, dalla Scuola Normale Superiore Pisa e curata da Luca Lombardo (Universit\u00e0 Ca\u2019 Foscari Venezia) e Chiara Sbordoni (Notre Dame Rome Global Gateway).<\/p>\n<p>Per informazioni:\u00a0<a href=\"mailto:luca.lombardo@unibg.it\">luca.lombardo@unibg.it<\/a>,\u00a0<a href=\"mailto:csbordon@nd.edu\">csbordon@nd.edu<\/a>.<\/p>\n<p>Per partecipare registrarsi qui:\u00a0<a href=\"https:\/\/notredame.zoom.us\/meeting\/register\/tJYufuGrpz8uEtL_-Wm4YbNMa_58HTDDvy4E\">https:\/\/notredame.zoom.us\/meeting\/register\/tJYufuGrpz8uEtL_-Wm4YbNMa_58HTDDvy4E<\/a><\/p>\n<hr \/>\n<p><em>Satura<\/em>\u00a0by Serena Vandi is the first comparative study of broad scope on Dante and Gadda to examine the relationship between the two authors beyond the horizon of \u2018multilingualism\u2019 within which Gianfranco Contini had framed his study of them. Serena Vandi investigates the question of realism in both writers and reinterprets the works of Dante and Gadda, using\u00a0<em>satura<\/em>\u00a0as a new category. Her analysis is centred around the elements integral to the satiric genre, including the variety of content and form and the objective of unveiling and revealing the truth of reality through literature. Combining a rhetorical and stylistic analysis of texts with a theoretical approach which investigates the poetics of the two authors, Vandi focuses on the nexus of variety and truth in the satirical genre as key to understanding both Dante\u2019s and Gadda\u2019s ethical perspectives on the mission of literature as a form of knowledge.<\/p>\n<p><em>Serena Vandi is Powys Roberts Research Fellow in European Literature at St Hugh\u2019s College at the University of Oxford where she teaches Dante and Italian literature of the 19th and 20th centuries, and where she works on the project \u201cGadda: Fascism, Satire and Truth\u201d. After her BA and MA Degrees in Modern Italian Literature at the University of Bologna, where she was a student of the Collegio Superiore, she earned her Ph.D in Italian at the University of Leeds.\u00a0<\/em><\/p>\n<p>In dialogue with the author, Paolo Rigo (Universit\u00e0 Roma Tre) e Cristina Savettieri (Universit\u00e0 di Pisa)<\/p>\n<p>The meeting is part of the series\u00a0<em>Le Tre Corone: testi e contesti dell\u2019Italia medievale<\/em>, co-sponsored by the Notre Dame Rome Global Gateway, the Center for Italian Studies and Devers Family Program in Dante Studies at Notre Dame, the Universit\u00e0 Ca\u2019 Foscari Venezia, the Scuola Normale Superiore Pisa, and is coordinated by Luca Lombardo (Universit\u00e0 Ca\u2019 Foscari Venezia) and Chiara Sbordoni (Notre Dame Rome Global Gateway).<\/p>\n<p>For information:\u00a0<a href=\"mailto:luca.lombardo@unibg.it\">luca.lombardo@unibg.it<\/a>,\u00a0<a href=\"mailto:csbordon@nd.edu\">csbordon@nd.edu<\/a><\/p>\n<p>To register click here:\u00a0<a href=\"https:\/\/notredame.zoom.us\/meeting\/register\/tJYufuGrpz8uEtL_-Wm4YbNMa_58HTDDvy4E\">https:\/\/notredame.zoom.us\/meeting\/register\/tJYufuGrpz8uEtL_-Wm4YbNMa_58HTDDvy4E<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Satura\u00a0di Serena Vandi \u00e8 il primo studio comparativo di ampio respiro su Dante e Gadda ad esaminare il rapporto tra i due autori al di l\u00e0 dell\u2019orizzonte del \u2018plurilinguismo\u2019 all\u2019interno del quale si era svolta la disamina di Gianfranco Contini. L\u2019autrice si interroga infatti sul problema del realismo dei due scrittori, individuando nella\u00a0satura\u00a0una categoria interpretativa [&hellip;]<\/p>","protected":false},"author":8,"featured_media":1364,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"organizer":[18],"language":[30],"class_list":["post-1363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-history","organizer-university-of-notre-dame-rome-global-gateway","language-italian"],"acf":[],"_links":{"self":[{"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/posts\/1363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/comments?post=1363"}],"version-history":[{"count":0,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/posts\/1363\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/media\/1364"}],"wp:attachment":[{"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/media?parent=1363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/categories?post=1363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/tags?post=1363"},{"taxonomy":"organizer","embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/organizer?post=1363"},{"taxonomy":"language","embeddable":true,"href":"https:\/\/catforumroma.it\/it\/wp-json\/wp\/v2\/language?post=1363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}